01 Film Audio
Sound direction, production recording, design, editing, and mix for short film, television, animation, and documentary. The work moves from the first sonic idea through final delivery.
About
A practiceshaped bylistening,systems,and collaboration.
Sound direction, music production, and creative systems — across cinema, live performance, and generative art. Based in Palmas, Tocantins, Brazil.
Explore selected projects
Three movements. Four areas. One thread.
I work at the intersection of film sound, music production, and creative tooling. My practice moves through cinema — sound direction, design, and mixing for film and television; music — production, mix, and master for independent Brazilian artists and bands; and code — Max4Live devices, generative audiovisual systems, and live instruments.
Across all three, the thread is the same: I build instruments — acoustic, digital, conceptual — to make work that is specific, situated, and accountable to a place. Recent work includes O Compositor, winner of Best Portuguese Horror Short at MOTELX 2025; the EP Rinoceronte for Luzo Cairo; RC Surface (PolyForm Noncommercial 1.0.0) and RC Setlist, Ableton Live tools built for real performance contexts.
The path has been geographic as much as technical. I spent six years in the Palmas music scene as a composer, guitarist, and producer, then worked between Brazil and Lisbon while completing a BA in Sound at Universidade Lusófona. I returned to Palmas in 2025 carrying the tools and habits of both scenes.
The work connects those scenes through Lusófona and REANIMA for audiovisual practice, AMMP for Portuguese television, Artpalco for recent series work, the Madison Museum collection for Kakofoni Orquestra, and the Aldir Blanc / PAAR grant behind Rinoceronte. None is a permanent home; they are passages through one practice.
02 Music Production
Production, recording, mix, and master for independent artists, shaped by the Palmas and Tocantins scene — small rooms, recurring collaborators, and records built from local continuity.
03 Creative Coding
Max4Live devices and generative audiovisual systems organized around real-time signal flow. The tools feed the art, the art feeds the tools, and both share patches, modules, and live risk.
04 Live & Experimental
Festival curation, live sound, livecoding, and installations rooted in collective production. A piece either survives the room or it does not; the stage keeps the studio work honest.
Selected projects
Sound, music,code,and moving image.
Selected work across cinema, television, music, generative art, performance, and tools.
Code
Tools and musical interfaces.
From the browser to Ableton Live: projects for controlling, organizing, and exploring music and audiovisual performance. Source-available tools, open-source projects, and generative systems, shaped by real stage and studio situations.
Tools & instruments
2026
RC Surface
AuthorAn Ableton Live extension that turns a phone browser into a wireless MIDI and sensor controller, with performance pads, XY controls, knobs, faders, and a mapping editor. Source-available under PolyForm Noncommercial 1.0.0.
2026
RC Setlist
AuthorAn Ableton Live extension that turns Arrangement locators into a show setlist, with synchronized lyrics, tempo and click feedback, guarded transport, and operator and stage views on the local network. Source-available under PolyForm Noncommercial 1.0.0.
2026
Ableton MCP Server
AuthorModel Context Protocol server for Ableton Live 12 bridging the Ableton Extensions SDK and MIDI Remote Scripts. Exposes 97 tools in v0.7.0 over TCP and WebSockets for AI agents and Python scripts to query parameters, drive transport, automate clips, analyze mix audio in non-realtime, and run grouped batch commands. Open-source.
2021
LUCY
CreatorGenerative audiovisual automaton. Max + Ableton + Hydra.js. Probabilistic MIDI control with scale maps, real-time section transitions, frequency-mask-aware final mix. Published on Teia as the `lucy` collection.
2022
Eletronik Fields
CreatorAudiovisual system that converts electromagnetic fields into MIDI, music and real-time visuals. A magnetic induction coil feeds an audio recorder; Max runs FFT analysis and sends MIDI to Ableton Live, while Hydra.js renders visuals from the same signal. Presented as a dark-room installation with powered devices and a free coil for visitors.
2022
Kakofoni Orquestra
Collaborator + ProgrammerGenerative audiovisual on fxhash. Hydra.js visuals by Rangga Purnama Aji, audio and reactivity by me. Inspired by Brian Eno's Ambient 1: Music for Airports. Edition #37 acquired by the Madison Museum.
Building something for music or live performance? Let’s talk
Gabriel Worm
@ntwormSound director working between cinema, music, and code. Building creative tools for performance and Ableton Live.
View full profile on GitHub →Generative pieces
30 generative tokens published on fxhash asnt_worm, between 2021 and 2026. Hydra.js for visuals, Web Audio API + OSC for sound reactivity. Highlights include Kakofoni Orquestra (edition #37, acquired by the Madison Museum).
Browse all on fxhash ↗Gaussian Splatting
3D photogrammetry captures rendered in the browser. The pipeline runs through TouchDesigner's Gaussian Splatting TOP and lands here as a web-friendly .splat after compression inPlayCanvas SuperSplat. The second capture streams beside this section as a live WebGL scene.
Sound & audiovisual01—11
Sound for film, music, and the stage.
Further work in film and television.
Complete project index.
Available for cinema, music, and creative coding projects.
gabrielwormm@gmail.com
- Emailgabrielwormm@gmail.com
- LinkedIngabrielworm
- IMDBnm16356368
- GitHub@ntworm
- fxhash@nt_worm
Currently based in Palmas, Tocantins, Brazil.